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From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003edirected by: Tolga Karaçelik\u003cbr\u003estarring: Steve Buscemi, Britt Lower, John Magaro, Olli Haaskivi\u003cbr\u003e2024 \/ 102 min \/ 2.39:1 \/ English DTS-HD MA 5.1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. 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Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. 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Katz and producer Travis Stevens\u003c\/li\u003e\n\u003cli\u003eMoney Talks, a newly filmed interview with actors Pat Healy, Ethan Embry, David Koechner, and Sara Paxton\u003c\/li\u003e\n\u003cli\u003eDouble Down, a newly filmed interview with writers Trent Haaga and David Chirchirillo\u003c\/li\u003e\n\u003cli\u003eKetchup, Cheese, and (Fake) Blood, a newly filmed interview with special effects\/make up artist Hugo Villaseñor\u003c\/li\u003e\n\u003cli\u003eVital Heat: The Making of Cheap Thrills, an archive featurette\u003c\/li\u003e\n\u003cli\u003eCheap Thrills at Fantastic Film Festival 2013, an archive featurette\u003c\/li\u003e\n\u003cli\u003eTheatrical trailer\u003c\/li\u003e\n\u003cli\u003eCheap Shots, a gallery of photos taken by Sara Paxton’s character, Violet, as seen in the film\u003c\/li\u003e\n\u003cli\u003eOn-set production photos\u003c\/li\u003e\n\u003cli\u003eReversible sleeve featuring original and newly commissioned artwork by Sister Hyde\u003c\/li\u003e\n\u003cli\u003eDouble-sided foldout poster featuring original and newly commissioned artwork by Sister Hyde\u003c\/li\u003e\n\u003cli\u003eCollectors' booklet featuring new writing on the film by Heather Wixson and Matt Donato\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51480213619010,"sku":null,"price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/AV780.jpg?v=1761934221"},{"product_id":"the-good-the-bad-and-the-ugly-limited-collector-s-edition-4k-uhd-blu-ray-region-free-see-notes","title":"**SEE NOTES: The Good, the Bad and the Ugly Limited Collector’s Edition 4K UHD + Blu-ray (Region Free)","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eCORNER DENT ON TOP FRONT RIGHT HAND CORNER, AND HAS A COUPLE VERY SMALL DENTS ALONG THE SPINE, OTHERWISE FINE SEE PICTURES. NO COUPON CODES ALLOWED ON THIS ONE. \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMythic, cynical and endlessly entertaining, The Good, The Bad and The Ugly brings Leone’s grand sense of dramatic scale to its apotheosis. Arrow Films is proud to present this landmark Western in the most comprehensive edition ever assembled, featuring multiple cuts of the film, all meticulously restored in glorious 4K, and a wealth of new and archival bonus materials.\u003c\/p\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51533889339714,"sku":null,"price":74.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/71wW5LU4udL._AC_SL1500.webp?v=1763260687"},{"product_id":"pre-order-hardcore-poisoned-eyes","title":"Hardcore Poisoned Eyes Limited Edition with Slipcover","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003eThree girlfriends descend upon a remote cabin for an idyllic, weekend getaway. Amidst the partying, Angelique (Christine Gallo) begins to research the bizarre circumstances surrounding the death of her grandfather, the former owner of the cabin. She soon discovers that her grandfather had collected documented evidence of a local satanic cult and their evil endeavors. After a drunken prank goes horribly wrong, a cloaked and claw-gloved satanic killer lays siege upon the cabin; forcing the girls to fight for their sanity and lives.\u003c\/p\u003e\n\u003cp\u003eThe startling feature debut from New York based writer \/ director Sal Ciavarello, Hardcore Poisoned Eyes is a claustrophobic, cabin bound, winter set chamber piece which Rue Morgue magazine called both “atmospheric and jarring”. By utilizing a single location, an insular cast, and the dynamic visual stylings of Emmy-nominated cinematographer Huy Truong, Ciavarello’s Hardcore Poisoned Eyes was significant for delivering genuine tension and nail-biting chills which were commonly absent from the work of his SOV contemporaries.\u003c\/p\u003e\n\u003cp\u003edirected by: Sal Ciavarello\u003cbr\u003estarring: Christine Gallo, Wendy Allyn, Jessica Hester, Anthony Fariello\u003cbr\u003e2000 \/ 89 min \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eNew 2025 Director’s Cut restored under the supervision of director Sal Ciavarello\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eNew 2025 audio commentary with director Sal Ciavarello moderated by Ross Snyder of Saturn’s Core\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eNew transfer of the 2000 Director’s Cut from the original master tapes\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eOriginal archival DVD \/ VHS cut\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eArchival 2000 commentary with director Sal Ciavarello, cinematographer Huy Truong, and producer Anthony Fariello\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003e“Rewound: Hardcore Poisoned Eyes” - new 25th Anniversary feature length documentary featuring new interviews with director Sal Ciavarello, cinematographer Huy Truong, and actresses Christine Gallo \u0026amp; Jessica Hester\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eArchival behind the scenes footage and bloopers\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eArchival interview with director Sal Ciavarello moderated by filmmaker Roy Frumkes (Street Trash, Document of the Dead)\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eSal Ciavarello short films:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eBlue Shadows (16mm \/ 1995)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eLycanthropes (16mm \/ 1993)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eAttack of the Spider (VHS \/ 1987)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eTrailers\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eReversible sleeve\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51540192493890,"sku":null,"price":14.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/Hardcore_Poisoned_Eyes_LTD_Front_2500x_ee208482-58a3-4223-a2a0-0d5ac72b20de.webp?v=1763413245"},{"product_id":"pre-order-friday-the-13th-part-2-4k-uhd-blu-ray-us","title":"Friday the 13th: Part 2 4K UHD + Blu-Ray + Digital Copy (US)","description":"\u003cp\u003eJason Voorhees returns in this classic 1981 slasher sequel. 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As Kiyoha's rebellious spirit and renowned beauty provoke the jealous rivalry of the other girls in the establishment, the possibility of romance raises its head, but can love provide a genuine possibility of escape for a young woman in her position, in a refined sensual world where looks and deportment are everything? With its super-saturated colors and striking art design, Sakuran is a delicious feast for the eyes.\u003c\/div\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51586667872578,"sku":null,"price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/c08f3787-ff44-4c51-9aef-733c647bf0b1.webp?v=1764203315"},{"product_id":"pre-order-helter-skelter-blu-ray-region-a-b","title":"Helter Skelter Blu-Ray (Region A, B)","description":"\u003cdiv class=\"free-content\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"free-content\"\u003eTop model and fashion idol Lilico (Erika Sawajiri) is used to being the centre of attention - the living epicentre of her own universe and of a multimedia-saturated hyperreality in which everything is airbrushed and colour-adjusted to perfection. When she begins to suffer traumatic side effects from her repeated illegal cosmetic surgery sessions, she finds fame comes at a cost, as she is plunged into a nightmarish world where her sense of self-image and identity begins to fracture. This lurid body horror, based on a manga by Kyoko Okazaki and directed by critically acclaimed photographer and filmmaker Mika Ninagawa (Sakuran), is a candy-colored nightmare, presenting both an assault to the senses and to the picture-perfect world of the fashion and advertising.\u003c\/div\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51586684322114,"sku":null,"price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/5f8b1623-2ff3-47a0-af31-65bbfd554873.webp?v=1764204392"},{"product_id":"pre-order-special-effects-limited-edition-blu-ray-region-b","title":"Special Effects Limited Edition Blu-Ray (Region B)","description":"\u003cp\u003eAspiring actress Andrea (Zoe Tamerlis Lund,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMs .45)\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehas run away from her domestic life in Dallas to New York City, with dreams of becoming a future movie star. Director Christopher Neville (Eric Bogosian,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUncut Gems\u003c\/em\u003e) promises Andrea a role in his next film - but when she visits him at his apartment one night, a sexual encounter turns violent, and Andrea is murdered while Neville’s camera captures the whole sordid affair. When Andrea’s estranged husband Keefe (Brad Rijn) arrives to look for her, he is immediately suspected of her murder, until he finds an unlikely ally in Neville. In exchange for helping secure his freedom, Neville persuades Keefe to help him with his new film, and to find him a new leading lady, one who bears a remarkable resemblance to Andrea…\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSpecial Effects\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis a pungent, grindhouse-friendly riff on psycho-sexual thriller classics such as\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eVertigo\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePeeping Tom\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlow Out\u003c\/em\u003e, presented with inimitable style from the king of low-budget NY genre cinema, Larry Cohen (\u003cem\u003eQ: The Winged Serpent\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Stuff\u003c\/em\u003e). \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLIMITED EDITION BLU-RAY FEATURES\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUK Blu-ray premiere\u003c\/li\u003e\n\u003cli\u003eHigh definition digital transfer\u003c\/li\u003e\n\u003cli\u003eUncompressed mono audio\u003c\/li\u003e\n\u003cli\u003eNewly recorded interview with star Eric Bogosian\u003c\/li\u003e\n\u003cli\u003eNew audio commentary with director of King Cohen, Steve Mitchell\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eCohen on Cohen\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e- feature length interview with Larry Cohen (2017, 71 mins)\u003c\/li\u003e\n\u003cli\u003eArchival directors commentary with Larry Cohen, moderated by Steve Mitchell\u003c\/li\u003e\n\u003cli\u003eNew interview with critic Christina Newland on Zoe Tamerlis Lund\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eOptional English subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003eIncludes O-card featuring original and newly commissioned artwork by Eric Adrian Lee\u003c\/li\u003e\n\u003cli\u003eLimited edition booklet featuring new writing from Juan Barquin\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLimited edition of 3000 copies, presented with o-card and full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51654760071490,"sku":null,"price":19.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/ac451441-7764-457b-bc26-a49d724e1fbd_d4aa484c-1639-405b-9c2c-474db8c2f6c5.webp?v=1765144271"},{"product_id":"jarhead-20th-anniversary-limited-edition-steelbook-4k-ultra-hd-blu-ray","title":"Jarhead 20th Anniversary Limited Edition Steelbook 4K Ultra HD + Blu-Ray + Digital Code","description":"\u003cp\u003e\u003cspan\u003eAcademy Award® winner Jamie Foxx and Jake Gyllenhaal star in this critically acclaimed, brilliantly unconventional war story from Oscar®-winning director Sam Mendes. Jarhead (the self-imposed moniker of the Marines) follows Swoff (Gyllenhaal) from a sobering stint in boot camp to active duty, where he sports a sniper rifle through Middle East deserts that provide no cover from the heat or Iraqi soldiers. Swoff and his fellow Marines sustain themselves with sardonic humanity and wicked comedy on blazing desert fields in a country they don't understand against an enemy they can't see for a cause they don't fully grasp.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eIncludes 4K UHD, Blu-ray and a digital copy of Jarhead (Subject to expiration. 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When the kids begin to die, Nancy realizes that she must stay awake to survive. Uncovering the secret identity of the dream killer and his connection with the children of Elm Street, the girl plots to draw him out into the real world. 'A Nightmare on Elm Street 2: Freddy's Revenge': The Grady family, including their teenage son Jesse, moves into a house on Elm Street which has been vacant for some time. Hardly surprising, since it was the same house in which the first Nightmare on Elm Street took place. Ron starts having strange nightmares and finds that Freddy Kruger is using him to commit terrible deeds. It is up to his girlfriend to find some way of stopping Freddy. 'A Nightmare on Elm Street 3: Dream Warriors': The third Nightmare continues Freddy's story with the sole survivor of the first movie, Nancy Thompson. Nancy has just accepted a position as a research scientist at a psychiatric institution near the fated house on Elm Street and is working with a group of children who all share nightmares of Freddy. She discovers that one of the children (Kristen) has a special gift which may help them destroy Freddy forever. 'A Nightmare on Elm Street 4: The Dream Master': Following up the previous Nightmare film, dream demon Freddy Krueger is resurrected from his apparent demise, and rapidly tracks down and kills the remainder of the Elm Street kids. However, Kristen (who can draw others into her dreams) wills her special ability to her friend Alice. Alice soon realizes that Freddy is taking advantage of that unknown power to pull a new group of children into his foul domain. 'A Nightmare on Elm Street 5: The Dream Child': Alice, having survived the previous installment of the Nightmare series, finds the deadly dreams of Freddy Krueger starting once again. This time, the taunting murderer is striking through the sleeping mind of Alice's unborn child. His intention is to be \"born again\" into the real world. The only one who can stop Freddy is his dead mother, but can Alice free her spirit in time to save her own son? 'Freddy's Dead: The Final Nightmare': In part six of the Nightmare on Elm Street series, dream monster Freddy Krueger has finally killed all the children of his hometown, and seeks to escape its confines to hunt fresh prey. To this end, he recruits the aid of his (previously unmentioned) daughter. However, she discovers the demonic origin of her father's powers and meets Dad head-on in a final showdown (originally presented in 3-D). 'Wes Craven's New Nightmare': It's nearing the 10th Anniversary of the film 'A Nightmare on Elm Street' and one of the stars, Heather Langenkamp is being scared by a voice on a phone, sounding very similar to the film's villain, Freddy Krueger. 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But in the 1960s, director Eiichi Kudo's Samurai Revolution trilogy shattered this idealised conception of the samurai, providing an authentic and scathing portrayal of Japan's tyrannical past to question the social and political landscape of his day. Beginning in 1963 with 13 Assassins (remade in 2010 by Takashi Miike), followed by The Great Killing in 1964 and 11 Samurai in 1967, the Samurai Revolution trilogy depicts the rot at the heart of the Tokugawa shogunate: despotic lords oppress their people and abuse their power with impunity, loyalty to the Shogun is valued above compassion and righteousness, and samurai have shed any trace of nobility in favor of their own self-interest, which they pursue with gleeful cruelty. Each film portrays a group of honorable samurai driven to plan the political assassination of a corrupt lord, hoping to light the fuse that will eventually destroy the regime. But the rebels must understand the fatal consequences of their mission. Should the Shogun falter, then their lives and the entire samurai class will be forfeit. Eiichi Kudo masterfully deploys expressive black and white cinematography, spectacular swordfights and compelling performances to paint a rich visual and narrative tapestry, using each film to further explore questions of ethics and morality. Featuring a who's who of iconic jidaigeki actors including Chiezo Kataoka (Bloody Spear at Mount Fuji), Ko Nishimura (Lady Snowblood), Kei Sato (Hara-Kiri) and Toru Abe (Zatoichi and the One-Armed Swordsman), Kudo's Samurai Revolution trilogy rank among the most important samurai films ever made and are a must-have for chanbara connoisseurs.\u003c\/p\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eLIMITED EDITION CONTENTS\u003c\/li\u003e\n\u003cli\u003eHigh-Definition Blu-ray (1080p) presentation of all three films\u003c\/li\u003e\n\u003cli\u003eOriginal lossless Japanese mono audio on all three films\u003c\/li\u003e\n\u003cli\u003eOptional newly translated English subtitles for all three films\u003c\/li\u003e\n\u003cli\u003eLimited edition packaging with reversible sleeves featuring original and newly commissioned artwork by Tom Fournier\u003c\/li\u003e\n\u003cli\u003eIllustrated collectors’ booklet featuring new writing on the films by Chris D., Earl Jackson and Alain Silver\u003c\/li\u003e\n\u003cli\u003eDISC ONE – 13 ASSASSINS\u003c\/li\u003e\n\u003cli\u003eBrand new audio commentary by film critic and Japanese cinema expert Tom Mes\u003c\/li\u003e\n\u003cli\u003eThe Samurai Variations, a brand new video essay by music supervisor and Japanese cinema expert James Balmont on legendary composer Akira Ifukube’s score for the film\u003c\/li\u003e\n\u003cli\u003eSamurai Guerilla Part 1, an archival interview where Eiichi Kudo’s former assistant director Misao Arai and filmmaker Dirty Kudo discuss Eiichi Kudo and Toei’s role in the Japanese film landscape of the 1960s\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003cli\u003eDISC TWO – THE GREAT KILLING\u003c\/li\u003e\n\u003cli\u003eBrand new audio commentary by film critic David West\u003c\/li\u003e\n\u003cli\u003eMagician of Light and Shadow, a brand new video essay by film critic and Japanese cinema expert Daisuke Miyao on the cinematography seen in the film\u003c\/li\u003e\n\u003cli\u003eSamurai Guerilla Part 2, an archival interview where Misao Arai and Dirty Kudo discuss the jidaigeki genre and expand on the political dimension of The Great Killing\u003c\/li\u003e\n\u003cli\u003eMasaaki Ito Remembers Eiichi Kudo, a tribute to the director by his former assistant and brother-in-law\u003c\/li\u003e\n\u003cli\u003eDISC THREE – 11 SAMURAI\u003c\/li\u003e\n\u003cli\u003eBrand new audio commentary by film critic David West\u003c\/li\u003e\n\u003cli\u003eFighting the Poison, a brand new video essay by film critic and Japanese cinema expert Jonathan Clements on the historical setting and context of the film\u003c\/li\u003e\n\u003cli\u003eSamurai Guerilla Part 3, an archival interview where Misao Arai and Dirty Kudo discuss some of the filming techniques seen in the film and the conception of the Samurai as seen in Eiichi Kudo’s jidaigeki films\u003c\/li\u003e\n\u003cli\u003eEiichi Kudo: The Art of Realism, an archival interview with Fabrice Arduini, filmmaker and programmer for the House of Culture of Japan in Paris, where he discusses jidaigeki and the films of Eiichi Kudo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51693270466882,"sku":null,"price":29.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/f6d0a79a-f719-4b6e-9658-6ac09320bc05.webp?v=1775254338"},{"product_id":"the-films-of-hisayasu-sato-volume-1-re-wind-lustmord-love-letter-in-the-sand-w-limited-edition-slipcover-blu-ray-copy","title":"The Films of Hisayasu Satô: Volume #2 - An Aria on Gazes \/ Love - Zero = Infinity","description":"\u003cp\u003eOne of the most esteemed and transgressive filmmakers ever to work in Japan's explosively popular Pink Film genre, Hisayasu Satô crafted erotic films that were both genre-defying and artfully-minded. While Satô's work is infused with horror and thriller tropes, it boasts a punk and avant-garde aesthetic singularly his own. In this debut release, Pink Line begins to explore this immense body of work with three of Satô's most outlandish and profound features, each newly and exclusively restored in 2K from their 35mm original camera negatives with newly-translated English subtitles, all under the supervision of Satô himself.\u003c\/p\u003e\n\u003cp\u003eIn LUSTMORD (aka Pleasure Kill), Satô commences his meditation on the fusion of sex and death. Eiji, a reclusive and awkward teenage boy, is fixated on creating a serum capable of breaking down the barrier between pleasure and pain, much to the dismay of his research physician mother. Deciding to conduct his own experiments, Eiji slips the serum to several women, but is unprepared for the horrifying results. Later remade by Satô as the straight horror feature Naked Blood, this early directing effort conjures a remarkable waking nightmare approach, as the impending threat of violence and insanity permeates every scene as it builds towards a typically cynical and cryptic conclusion.\u003c\/p\u003e\n\u003cp\u003eRE-WIND (aka Celluloid Nightmare) functions as Satô's tribute to Michael Powell's masterpiece Peeping Tom. After a grisly, point-of-view snuff videotape is found in a refrigerator, a young man becomes obsessed with discovering who made it and whether or not the brutal murder was real. As he delves into Tokyo's underground video scene, his own perversions come to the fore as he grows ever closer to uncovering the shocking truth, alongside a female reporter who calls herself Crime Hunter. Fusing gruesome gore and raw sex while wryly playing with the artifice inherent to the video format, RE-WIND remains one of Satô's most powerful and impressive early works.\u003c\/p\u003e\n\u003cp\u003eLOVE LETTER IN THE SAND (aka Pervert Ward: Torturing the White Uniform), is Satô crafting a noir-inspired erotic thriller, using blazing, heavily-gelled color. During a month of unusually heavy rain in Tokyo, a mystery assailant has been brutally assaulting and killing people with a metal bat. When a handsome young man with amnesia is found outside an area hospital, the nurse who discovered him begins to suspect that he may in fact be the assailant. But her own strange erotic fixations with him, and the questionable involvement of the doctor tasked with the amnesia victim, lead them all down an increasingly twisted path of deeply-rooted trauma and violence.\u003c\/p\u003e\n\u003cp\u003edirected by: Hisayasu Satô \u003cbr\u003estarring: various\u003cbr\u003e1987, 1988, 1988 \/ 58 min, 64 min, 61 min \/ 1.85:1 \/ Japanese\u003cspan\u003e \u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 1.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2-Disc Region Free Blu-ray\u003c\/li\u003e\n\u003cli\u003e40-page perfect bound book (\u003cem\u003elimited edition only\u003c\/em\u003e) includes essays by Ariel Esteban Cayer, Tori Potenza, and Jasper Sharp\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLUSTMORD\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary track with Japanese cinema expert Jasper Sharp for Lustmord\u003c\/li\u003e\n\u003cli\u003e\"Kill Kill\" - an interview with director Hisayasu Satô\u003c\/li\u003e\n\u003cli\u003e\"Written in Blood\" - an interview with writer Taketoshi Watari\u003c\/li\u003e\n\u003cli\u003e\"Walking in Circles\" - a locations featurette with director Hisayasu Satô covering all three films\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRE-WIND\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary track with film critic Simon Abrams\u003c\/li\u003e\n\u003cli\u003e\"Visual Pleasure\" - an interview with director Hisayasu Satô\u003c\/li\u003e\n\u003cli\u003e\"Caught in the Act\" - an interview with actress Kiyomi Itô\u003c\/li\u003e\n\u003cli\u003e\"Shooting His Shot\" - an interview with writer Yumeno Shiro\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLOVE LETTER IN THE SAND\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary track with film historian \u0026amp; author Samm Deighan\u003c\/li\u003e\n\u003cli\u003e\"Medical Mayhem\" - an interview with director Hisayasu Satô\u003c\/li\u003e\n\u003cli\u003e\"Pretty in Pink\" - an interview with filmmaker Risaku Kiridoshi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51746616115522,"sku":null,"price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/Sato_VOL2_LTD_Front_2500x_d45a396f-187c-47a5-953d-04e9ac11ce44.webp?v=1766967292"},{"product_id":"pre-order-exorcismo-defying-a-dictator-raising-hell-in-post-franco-spain","title":"Exorcismo: Defying A Dictator \u0026 Raising Hell In Post-Franco Spain","description":"\u003ch3 itemprop=\"description\"\u003ePRICE REDUCED BELOW WHOLESALE!\u003c\/h3\u003e\n\u003ch3 itemprop=\"description\"\u003e\u003c\/h3\u003e\n\u003ch3 itemprop=\"description\"\u003e19 feature films on 10 discs, including the award-winning documentary EXORCISMO: THE TRANSGRESSIVE LEGACY OF CLASIFICADA \"S\"\u003c\/h3\u003e\n\u003cdiv id=\"item-maindata\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e19 FEATURE FILMS ON 10 DISCS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncluding the award-winning documentary EXORCISMO: THE TRANSGRESSIVE LEGACY OF CLASIFICADA \"S\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlus 168-Page Book and 21+ Combined Hours of Special Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUnder the Franco dictatorship, Spain's rigid censorship laws controlled all national entertainment. But following Franco's death in 1975, certain films began to embody a period in Spanish history when cinematic expression became political freedom. Spanish audiences considered these films - featuring graphic explorations of sex, violence and horror - to be a cultural 'exorcismo.' These 18 films, including landmark features directed by Eloy de la Iglesia, León Klimovsky, Javier Aguirre and Eugenio Martín, range from those that dared to actively subvert the oppressive regime to productions made during the post-Franco era of '70s\/'80s exploitation excess. Also included is the award-winning Severin Films original documentary EXORCISMO: THE TRANSGRESSIVE LEGACY OF CLASIFICADA \"S\" narrated by Iggy Pop, in which writer\/producer\/director Alberto Sedano explores the history behind the notorious rating that rocked Spanish culture, changed the face of genre films and left its mark on global cinema forever. The majority of the titles in this unprecedented collection are Worldwide Blu-ray Premieres scanned in 4K from original camera negatives, curated with a 168-page book of essays, stills and posters, plus over 21 combined hours of new and archival Special Features.\u003c\/p\u003e\n\u003cp\u003eIncludes the films\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eExorcismo: The Transgressive Legacy of Clasificada \"S\", Far from the Trees, The Bell from Hell, Creation of the Damned, The Devil's Exorcist, After... Part One: Can't You Be Left Alone?, The People Who Own the Dark, Battered Flesh, The Priest, Sins of a Nympho, Dimorfo, Bloody Sex, Morbus, Faces, Triangle of Lust, That House in the Outskirts, Supernatural, Poppers, After... Part Two: Tied Up and Tied Up Well\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003eMedia\u003c\/h4\u003e\n\u003cp\u003e\u003ci class=\"fa fa-youtube-play\"\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca id=\"watch_clip1\" href=\"https:\/\/customers.mvdb2b.com\/media\/play.php?id=20510\u0026amp;s=sev20023br\u0026amp;y=MVINu7tnPb0\u0026amp;rco\u0026amp;nolink=1\u0026amp;TB_iframe=true\u0026amp;height=350\u0026amp;width=580\" class=\"boxed\" rel=\"{handler:'iframe',iframePreload:true,size:{x:580,y:350}}\"\u003eWatch trailer »\u003c\/a\u003e\u003c\/p\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eEXORCISMO: THE TRANSGRESSIVE LEGACY OF CLASIFICADA 'S' Trailer\u003c\/li\u003e\n\u003cli\u003eAudio Commentary For THE BELL FROM HELL With Kat Ellinger, Author Of Daughters Of Darkness\u003c\/li\u003e\n\u003cli\u003eAudio Commentary For THE BELL FROM HELL With Rod Barnett, Film Historian And Co-Host Of NaschyCast, And Robert Monell, Writer And Editor Of I'm In A Jess Franco State Of Mind\u003c\/li\u003e\n\u003cli\u003eCensorship And Curses – Film Scholar Dr. Álex Mendíbil On THE BELL FROM HELL\u003c\/li\u003e\n\u003cli\u003eTHE BELL FROM HELL Trailer\u003c\/li\u003e\n\u003cli\u003eLUCIANO (1965) – Short Film Co-Written\/Directed By Claudio Guerín, Director Of THE BELL FROM HELL\u003c\/li\u003e\n\u003cli\u003eAudio Commentary For CREATION OF THE DAMNED With Antonio Lázaro-Reboll, Author Of Spanish Horror Film\u003c\/li\u003e\n\u003cli\u003eI'm Proud Of My Films – Interview With CREATION OF THE DAMNED Director José Ulloa\u003c\/li\u003e\n\u003cli\u003eBeing There – Interview With CREATION OF THE DAMNED Camera Assistant Paco Marín\u003c\/li\u003e\n\u003cli\u003eCREATION OF THE DAMNED Trailer\u003c\/li\u003e\n\u003cli\u003eCREATION OF THE DAMNED Still Gallery\u003c\/li\u003e\n\u003cli\u003eAlternate Opening For THE DEVIL'S EXORCIST\u003c\/li\u003e\n\u003cli\u003eAudio Commentary For THE DEVIL'S EXORCIST With Shelagh Rowan-Legg, Author Of The Spanish Fantastic, And Film Critic\/Educator Simon Laperrière\u003c\/li\u003e\n\u003cli\u003eA Daring Film – Interview With THE DEVIL'S EXORCIST Actor Jack Taylor\u003c\/li\u003e\n\u003cli\u003eHorror Comes From The Church – Interview With THE DEVIL'S EXORCIST Cinematographer José Luis Alcaine\u003c\/li\u003e\n\u003cli\u003eSound Experiments – Interview With THE DEVIL'S EXORCIST Composer José Nieto\u003c\/li\u003e\n\u003cli\u003eTHE DEVIL'S EXORCIST Trailer\u003c\/li\u003e\n\u003cli\u003eAudio Commentary For THE PEOPLE WHO OWN THE DARK With Rod Barnett And Troy Guinn, Film Historians\/Co-Hosts Of NaschyCast\u003c\/li\u003e\n\u003cli\u003eJoking On Set – Interview With THE PEOPLE WHO OWN THE DARK Actor Antonio Mayans\u003c\/li\u003e\n\u003cli\u003eA Unique Iconography In Spanish Terror – Ángel Sala, Head Of Programming At The Sitges Film Festival, On THE PEOPLE WHO OWN THE DARK\u003c\/li\u003e\n\u003cli\u003eTHE PEOPLE WHO OWN THE DARK Trailer\u003c\/li\u003e\n\u003cli\u003eAudio Commentary For BATTERED FLESH With Shelagh Rowan-Legg, Author Of The Spanish Fantastic, And Spanish Cinema Professor\/Scholar Alejandro Melero\u003c\/li\u003e\n\u003cli\u003eA Spain To Break – Interview With BATTERED FLESH Actress Sandra Alberti\u003c\/li\u003e\n\u003cli\u003eThe Socialist Priest – Interview With THE PRIEST Actor Emilio Gutiérrez Caba\u003c\/li\u003e\n\u003cli\u003eA Provocative Filmmaker – Interview With THE PRIEST Actor Martín Garrido Ramis\u003c\/li\u003e\n\u003cli\u003eEL OTRO LUIS (1975) – Short Film By Eloy De La Iglesia’s Friend And Collaborator Alejo Loren\u003c\/li\u003e\n\u003cli\u003eI Regret Nothing – Interview With SINS OF A NYMPHO Assistant Director Alejo Loren\u003c\/li\u003e\n\u003cli\u003eSINS OF A NYMPHO Trailer\u003c\/li\u003e\n\u003cli\u003eThe Haunted Cartoonist – Spanish Film Scholar Dr. Álex Mendíbil On The Films Of Rodjara\u003c\/li\u003e\n\u003cli\u003eDIMORFO Alternate Credit Sequences\u003c\/li\u003e\n\u003cli\u003eAudio Commentary For BLOODY SEX With David Flint, Author Of Babylon Blue: An Illustrated History Of Adult Cinema\u003c\/li\u003e\n\u003cli\u003eA Bohemian Life – Interview With BLOODY SEX Producer Gloria Sancho\u003c\/li\u003e\n\u003cli\u003eBLOODY SEX Lobby Card Gallery\u003c\/li\u003e\n\u003cli\u003eSex And Horror – Interview With MORBUS Director Ignasi P. Ferré\u003c\/li\u003e\n\u003cli\u003eA Well-Deserved Recognition – Interview With MORBUS Actress Carmen Serret\u003c\/li\u003e\n\u003cli\u003eTHE EVIL FACES OF VĺCTOR ISRAEL (2010) – Archival Documentary\u003c\/li\u003e\n\u003cli\u003eAn Unclassifiable Movie – Ángel Sala, Head Of Programming At The Sitges Film Festival, On FACES\u003c\/li\u003e\n\u003cli\u003eFACES Trailer\u003c\/li\u003e\n\u003cli\u003eAudio Commentary For TRIANGLE OF LUST With David Flint, Author Of Babylon Blue: An Illustrated History Of Adult Cinema\u003c\/li\u003e\n\u003cli\u003eTRIANGLE OF LUST Extended\/Alternate Scenes\u003c\/li\u003e\n\u003cli\u003eA Very Strong Character – Interview With THAT HOUSE IN THE OUTSKIRTS Actress Silvia Aguilar\u003c\/li\u003e\n\u003cli\u003eTHAT HOUSE IN THE OUTSKIRTS Trailer\u003c\/li\u003e\n\u003cli\u003eAudio Commentary For SUPERNATURAL With David Flint, Editor Of Desperate Living\u003c\/li\u003e\n\u003cli\u003eSupernatural Effects – Interview With SUPERNATURAL Actor Máximo Valverde\u003c\/li\u003e\n\u003cli\u003eSUPERNATURAL English Title Sequence\u003c\/li\u003e\n\u003cli\u003eSUPERNATURAL Trailer\u003c\/li\u003e\n\u003cli\u003eSUPERNATURAL TV Spot\u003c\/li\u003e\n\u003cli\u003eA Bold And Delirious Movie – Interview With POPPERS Art Director Javier Fernández\u003c\/li\u003e\n\u003cli\u003eA Film Like No Other – Interview With POPPERS Assistant Director Eduardo Campoy\u003c\/li\u003e\n\u003cli\u003ePOPPERS Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51760792371522,"sku":null,"price":99.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/SEV20023BR_3D.jpg?v=1767386997"},{"product_id":"pre-order-in-our-blood","title":"In Our Blood with Limited Edition Slipcover","description":"\u003cp\u003eNothing is as it seems when filmmaker Emily Wyland (Brittany O’Grady) teams up with cinematographer Danny (E. J. Bonilla) to shoot a documentary about reuniting with Emily’s estranged mother, Sam. When she goes missing, possibly succumbing to the addictions that tore her family apart, Emily and Danny must follow increasingly sinister clues to find her before it’s too late.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Pedro Kos\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Brittany O'Grady, E. J. Bonilla, Steven Klein, Bianca Comporato, with Krisha Fairchild, and Alanna Ubach\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e2024 \/ 88 min \/ 1.78:1 \/ English DTS-HD MA 5.1, 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eOfficial Trailer\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBehind The Scenes photo gallery\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBehind The Scenes video gallery\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eQ\u0026amp;A at the Fantasia International Film Festival - World Premiere\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAlternate Opening\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAudio\/Video Directors Commentary\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15171,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"A college student searches for answers and justice after discovering deepfake pornography of herself circulating online. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"THE SWEET EAST is a picaresque journey through the cities and woods of the Eastern seaboard of the United States. Lillian, a high school senior from South Carolina, gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured road trip in search of America. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Jules’ life and career as a drag queen is destroyed by a homophobic attack. But when he re-encounters his attacker, the deeply-closeted Preston, in a gay sauna, he is presented with a chance to exact revenge. Unrecognisable out of his wig and make-up, Jules infiltrates Preston’s life, and in doing so, discovers power in a different kind of drag..\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Following Koffi’s return to his birthplace after he has been ostracized by his family, ‘Omen’ explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BTS stills gallery\\n- Stills gallery\\n- Baloji short film Infinite Trolling\\n- Baloji short film Zombie\\n- Baloji short film Peau de chagrin\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51769034309954,"sku":null,"price":19.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/In_Our_Blood_LTD_Front_2500x_e6030ba3-fa3a-4dfb-aa87-c5eb3e5b5004.webp?v=1767639675"},{"product_id":"pre-order-fall-4k-ultra-hd","title":"Fall 4K Ultra HD","description":"\u003cdiv class=\"free-content\"\u003eExperience a heart-pounding tale of survival from the producers of 47 Meters Down where sacrifice may just be the only way out. A fast drop and a sudden stop awaits Becky (Grace Fulton, Shazam!) and Hunter (Virginia Gardner, Halloween) as they find themselves trapped 2,000 feet up an abandoned radio tower in the desert. Highly trained and resourceful, these climbers were still not ready for every eventuality. A series of unfortunate events see their gear and supplies taken from them and as temperatures rise and vultures begin to circle, the chance of survival begins to fall rapidly. Also starring Jeffrey Dean Morgan (Watchmen), Fall is produced \u0026amp; directed by Scott Mann (Final Score) and written by Mann and Jonathan Frank (Final Score).\u003c\/div\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51788211978562,"sku":null,"price":22.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/1c371f62-0930-405e-a1bc-517819562de1.webp?v=1767818155"},{"product_id":"pre-order-the-invincible-eight-limited-edition-blu-ray-region-b","title":"The Invincible Eight Limited Edition Blu-Ray (Region B)","description":"\u003cp\u003eThis release is a Region B Blu-ray\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"col-md-6 pr-md-5\"\u003e\n\u003cp\u003eDirected by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLo Wei\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eshortly before he achieved global success with the Bruce Lee vehicles \u003cem\u003eThe Big Boss \u003c\/em\u003eand \u003cem\u003eFist of Fury\u003c\/em\u003e, \u003cstrong\u003e\u003cem\u003eThe Invincible Eight\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e \u003c\/em\u003ewas one of the first films produced by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGolden Harves\u003c\/strong\u003et following the company’s founding in 1970 – a \u003cem\u003ewuxia \u003c\/em\u003etale starring\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNora Miao\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cem\u003eThe Way of the Dragon\u003c\/em\u003e),\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAngela Mao\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cem\u003eHapkido\u003c\/em\u003e),\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePaul Chang Chung\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cem\u003ePolice Story\u003c\/em\u003e) and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJames Tien\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cem\u003eYes, Madam!\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003eEight men and women band together for a single purpose: to take their revenge on the military General responsible for killing members of their respective families. They intend to stop at nothing until their adversary is dead, but theirs will not be an easy task. For the General not only has the protection of the Imperial army, but also an elite group of bodyguards armed with whips and sworn to protect their leader at any cost.\u003c\/p\u003e\n\u003cp\u003eBoasting fight choreography by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSammo Hung\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(who also plays one of the villain’s whip-wielding henchmen), \u003cem\u003eThe Invincible Eight \u003c\/em\u003eis a significant film in the history of Hong Kong cinema, notable for helping to establish Golden Harvest as an industry force to be reckoned with.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEureka Classics\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis proud to present the film on Blu-ray for the first time outside of Asia.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-6 pl-md-5 product-features-column\"\u003e\n\u003ch4\u003eSPECIAL FEATURES\u003c\/h4\u003e\n\u003cul data-sku=\"EKA70616\" data-display=\"true\"\u003e\n\u003cli\u003e\u003cb\u003eLimited edition O-card slipcase featuring new artwork by Grégory Sacré (Gokaiju)\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLimited edition collector’s booklet featuring new writing on The Invincible Eight and Golden Harvest by East Asian cinema expert Camille Zaurin\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e1080p HD presentation from a new 2K restoration\u003c\/li\u003e\n\u003cli\u003eOriginal Mandarin mono audio\u003c\/li\u003e\n\u003cli\u003eOptional English subtitles, newly translated for this release\u003c\/li\u003e\n\u003cli\u003eNew audio commentary by East Asian cinema expert Frank Djeng (NY Asian Film Festival) and martial artist and filmmaker Michael Worth\u003c\/li\u003e\n\u003cli\u003eWhip Smart – new appreciation of The Invincible Eight by Wayne Wong, author of Martial Arts Ecology\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51810694660418,"sku":null,"price":19.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/82978805-9bbb-476e-ab9a-314d95f6f6f7.webp?v=1768154335"},{"product_id":"it-follows-limited-edition-4k-ultra-hd-blu-ray-region-b-copy","title":"** SEE NOTES:  It Follows Limited Edition 4K Ultra HD + Blu-Ray (Region B)","description":"\u003cp\u003e\u003cstrong\u003eBACK \"FOLD\" TOWARDS THE TOP, THE REST LOOKS FINE. 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How skillfully Rebecca knows how to use her physical allure is soon discovered by her lawyer Frank Dulaney (Willem Dafoe), who also falls under her spell…\u003c\/p\u003e\n\u003cp data-start=\"529\" data-end=\"698\"\u003eA high-profile erotic thriller starring Madonna, Willem Dafoe, Julianne Moore, and Jürgen Prochnow, directed by Uli Edel (\u003cem data-start=\"651\" data-end=\"666\"\u003eChristiane F.\u003c\/em\u003e, \u003cem data-start=\"668\" data-end=\"696\"\u003eThe Baader Meinhof Complex\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp data-start=\"700\" data-end=\"894\"\u003e\u003cstrong data-start=\"700\" data-end=\"729\"\u003eLimited Mediabook Edition\u003c\/strong\u003e with a silver-foil title and a 28-page booklet featuring an essay on the film’s production by Wieland Schwanebeck and an exclusive interview with director Uli Edel.\u003c\/p\u003e\n\u003cp data-start=\"896\" data-end=\"1077\"\u003e\u003cstrong data-start=\"896\" data-end=\"911\"\u003eMovie Info:\u003c\/strong\u003e\u003cbr data-start=\"911\" data-end=\"914\"\u003eOriginal title: \u003cem data-start=\"930\" data-end=\"948\"\u003eBody of Evidence\u003c\/em\u003e\u003cbr data-start=\"948\" data-end=\"951\"\u003eCountry of origin: USA, 1993\u003cbr data-start=\"979\" data-end=\"982\"\u003eDirector: Uli Edel\u003cbr data-start=\"1000\" data-end=\"1003\"\u003eCast: Madonna, Willem Dafoe, Joe Mantegna, Julianne Moore, Jürgen Prochnow\u003c\/p\u003e\n\u003cp data-start=\"1079\" data-end=\"1394\"\u003e\u003cstrong data-start=\"1079\" data-end=\"1108\"\u003eTechnical Specifications:\u003c\/strong\u003e\u003cbr data-start=\"1108\" data-end=\"1111\"\u003eLanguages: German DTS-HD MA 5.1, German DTS-HD MA 2.0, English DTS-HD MA 5.1, English DTS-HD MA 2.0\u003cbr data-start=\"1210\" data-end=\"1213\"\u003eAspect ratio: 1.85:1 (1080p Full HD), 1.85:1 (16:9 anamorphic PAL)\u003cbr data-start=\"1279\" data-end=\"1282\"\u003eSubtitles: German, German for the Deaf or Hard of Hearing (SDH), English, English SDH\u003cbr data-start=\"1367\" data-end=\"1370\"\u003eRunning time: 97 minutes\u003c\/p\u003e\n\u003cp data-start=\"1396\" data-end=\"1409\"\u003e\u003cstrong data-start=\"1396\" data-end=\"1407\"\u003eExtras:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"1410\" data-end=\"1618\"\u003e\n\u003cli data-start=\"1410\" data-end=\"1441\"\u003e\n\u003cp data-start=\"1412\" data-end=\"1441\"\u003eFeaturette \u003cem data-start=\"1423\" data-end=\"1439\"\u003eLove or Murder\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1442\" data-end=\"1483\"\u003e\n\u003cp data-start=\"1444\" data-end=\"1483\"\u003eInterview with producer Stephen Simon\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1484\" data-end=\"1530\"\u003e\n\u003cp data-start=\"1486\" data-end=\"1530\"\u003eInterview with Madonna expert Lucy O’Brien\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1531\" data-end=\"1552\"\u003e\n\u003cp data-start=\"1533\" data-end=\"1552\"\u003eBehind the Scenes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1553\" data-end=\"1594\"\u003e\n\u003cp data-start=\"1555\" data-end=\"1594\"\u003eEPK interviews with cast and director\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1595\" data-end=\"1618\"\u003e\n\u003cp data-start=\"1597\" data-end=\"1618\"\u003eTrailer (US \/ German)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1620\" data-end=\"1652\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cem data-start=\"1620\" data-end=\"1652\" data-is-last-node=\"\"\u003eWith optional German subtitles\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"1620\" data-end=\"1652\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cem data-start=\"1620\" data-end=\"1652\" data-is-last-node=\"\"\u003eNOT ALL OF THE SPECIAL FEATURES MAY BE ENGLISH FRIENDLY\u003c\/em\u003e\u003c\/p\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51871377785154,"sku":null,"price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/6961405BodyofEvidence-3D-mSticker_1313x1920_bf3ee079-f9c2-49c1-9308-9205d14411b7.jpg?v=1769187769"},{"product_id":"eli-roth-presents-dream-eater-collectors-edition","title":"Eli Roth Presents: Dream Eater Collector's Edition","description":"\u003cdiv data-cel-widget=\"aplus-3p-module-b\" data-csa-c-id=\"ywljph-x2qjdx-o344zr-v9bjoe\" class=\"celwidget aplus-module 3p-module-b aplus-standard\"\u003e\n\u003cdiv class=\"aplus-module-wrapper aplus-3p-fixed-width\"\u003e\n\u003cp class=\"a-spacing-base\"\u003eDuring their holiday at a cabin deep in the snowy Lauretian mountains, Mallory documents her boyfriend Alex’s violent parasomnia. When his sleepwalking gets worse, Mallory suspects the cause may be something far more sinister than a mere sleep disorder. Using her expertise as a documentary filmmaker, Mallory digs into Alex’s shadowy past and begins to unravel a decades-long mystery steeped in trauma and the occult. As darkness closes in, and ancient evil awakens – plunging the couple into a downward spiral of madness and horror that threatens to destroy more than just their relationship. By the time the end credits roll,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eDREAM EATER\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ewill have you questioning who you’re really sleeping next to at night.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-cel-widget=\"aplus-module-2\" data-csa-c-id=\"9vws8k-p2tomm-k82xen-ev7r67\" class=\"celwidget aplus-module module-2 aplus-standard\"\u003e\n\u003cdiv class=\"aplus-module-wrapper apm-floatnone apm-fixed-width\"\u003e\n\u003cdiv class=\"apm-sidemodule apm-spacing\"\u003e\n\u003cdiv class=\"apm-sidemodule-imageleft\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"apm-sidemodule-textright\"\u003e\n\u003cp\u003eLimited Edition Collector’s Set includes the following\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eBlu-ray \u0026amp; DVD with feature film \u0026amp; extras\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eDeluxe slipcover featuring original theatrical art\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eAlternate packaging wrap showcasing filmmaker-approved art\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eFolded 11” x 17” mini poster featuring filmmaker-selected alternate art\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"a-list-item\"\u003eExclusive extras include:\u003c\/span\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eDirector’s Commentary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eBehind-the-Scenes Featurette with Eli Roth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eBehind-the-Scenes Photo Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eTrailers\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51887803072834,"sku":null,"price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/81AdM8pohYL._SL1500_aba4b5d4-335f-4dd8-b5e2-c292da7f500c.jpg?v=1769315076"},{"product_id":"house-on-the-edge-of-the-park-4k-uhd","title":"House On The Edge Of The Park 4K UHD","description":"\u003ch3 itemprop=\"description\"\u003eA charismatic psychopath and his unhinged sidekick turn a get-together of chic New Yorkers into an ordeal of class warfare and sexual violence.\u003c\/h3\u003e\n\u003cdiv id=\"item-maindata\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE NORTH AMERICAN UHD PREMIERE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor his follow-up to CANNIBAL HOLOCAUST, director Ruggero Deodato delivered a shocker packed with even more cruelty and controversy. 40+ years later, it remains one of the most disturbing exploitation films of all time, now in UHD for the first time ever in North America: David Hess of THE LAST HOUSE ON THE LEFT infamy stars as a charismatic psychopath who - with his equally unhinged sidekick (Giovanni Lombardo Radice of CITY OF THE LIVING DEAD) - turns a get-together of chic New Yorkers into an ordeal of class warfare and sexual violence. Annie Belle (ABSURD), Christian Borromeo (TENEBRAE) and Lorraine De Selle (WILD BEASTS) co-star in this \"sick, perverted and demented classic\" (Savage Cinema) from the screenwriters of THE NEW YORK RIPPER, now scanned uncut in 4K from the original camera negative with 3+ hours of Special Features.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIAL FEATURES\u003c\/strong\u003e\u003c\/p\u003e\nAudio Commentary By Bruce Holecheck (Cinema Arcana) And Art Ettinger (Ultra Violent)The Man Who Loved Women - Interview With Director Ruggero DeodatoLights On - Interview With Cinematographer Sergio D'OffiziLike A Prairie Dog - Interview With Actor Giovanni Lombardo RadiceExternal Beauty \u0026amp; Internal Ugliness - Archival Interview With David HessHouse Sweet House - Interview With Set Designer Antonello GelengGalleryTrailer\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary By Bruce Holecheck (Cinema Arcana) And Art Ettinger (Ultra Violent)\u003c\/li\u003e\n\u003cli\u003eThe Man Who Loved Women — Interview With Director Ruggero Deodato\u003c\/li\u003e\n\u003cli\u003eLights On — Interview With Cinematographer Sergio D'Offizi\u003c\/li\u003e\n\u003cli\u003eLike A Prairie Dog — Interview With Actor Giovanni Lombardo Radice\u003c\/li\u003e\n\u003cli\u003eExternal Beauty \u0026amp; Internal Ugliness — Archival Interview With David Hess\u003c\/li\u003e\n\u003cli\u003eHouse Sweet House — Interview With Set Designer Antonello Geleng\u003c\/li\u003e\n\u003cli\u003eGallery\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51906766897474,"sku":null,"price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/SEV18678UH_3D.jpg?v=1769714874"},{"product_id":"pre-order-bakterion-with-limited-edition-slipcover-4k-uhd","title":"Bakterion with Limited Edition Slipcover 4K UHD","description":"\u003cp\u003eAn Italian\/Spanish co-production helmed by director Tonino Ricci (Cave of the Sharks, Rush), appearing under his regular pseudonym Anthony Richmond, BAKTERION (aka Panic) is a good old-fashioned monster-on-the-loose romp starring Euro horror regular David Warbeck (The Black Cat, The Beyond) and Swedish starlet Janet Ågren (City of the Living Dead, Eaten Alive!). Featuring plentiful scenes of monster mayhem, including the creature running amok in a movie theater and terrorizing a group of choir boys in a church, the celluloid scientists at Vinegar Syndrome are thrilled to unleash BAKTERION from the laboratory in its world UHD premiere, restored in 4K from the original camera negative and accompanied by a host of new bonus features.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003edirected by: Tonino Ricci\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: David Warbeck, Janet Ågren, Roberto Ricci, José Lifante, Miguel Herrera, Eugenio Benito\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1982 \/ 94 min \/ 1.66:1 \/ Italian, English Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2-disc Set: 4K Ultra HD \/ Region Free Blu-ray\u003c\/li\u003e\n\u003cli\u003e4K UHD presented in Dolby Vision High-Dynamic-Range\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 4K from its 16mm original camera negative\u003c\/li\u003e\n\u003cli\u003eCommentary track with film historians Eugenio Ercolani and Troy Howarth\u003c\/li\u003e\n\u003cli\u003e\"The Core of the Monster\" (24 min) - an interview with FX artist and actor Roberto Ricci\u003c\/li\u003e\n\u003cli\u003e\"Latex Memories\" (18 min) - an interview with make-up artist Adriano Carboni\u003c\/li\u003e\n\u003cli\u003e\"Monster Kids: The Heritage of Tonino Ricci and Rino Carboni\" (25 min) - featurette with Roberto Ricci and Adriano Carboni\u003c\/li\u003e\n\u003cli\u003eAlternate English titles\u003c\/li\u003e\n\u003cli\u003eReversible sleeve artwork\u003c\/li\u003e\n\u003cli\u003eNewly translated English subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51917067944258,"sku":null,"price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/Bakterion_LTD_Front_4K82fb_2500x_3a49721e-9031-46ea-973d-57ebd34cbb8a.webp?v=1769985790"},{"product_id":"pre-order-embalmer-with-limited-edition-slipcover","title":"Embalmer with Limited Edition Slipcover","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003eAn urban legend-based slasher from acclaimed filmmaker S. Torriano Berry, EMBALMER is one of the few 1990s independent horror movies that was made for Black audiences. The story follows Chiffon, a troubled teenager with a dark past, as she and her friends run afoul of Undertaker Zach—a mortician who killed his family and turned his funeral home into an H.H. Holmes-style murder castle. Shot on 16mm film with a small budget in Washington, D.C., EMBALMER utilizes a hip-hop soundtrack, sly humor, and slasher mechanics to tell a deeper story of abuse, trauma, and the never-ending cycle of coping with pain. AGFA is honored to bring this powerful chapter of overlooked '90s horror to Blu-ray for the first time ever.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: S. Torriano Berry\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Jennifer T. Kelly, Kenneth E. Mullen, Myron Creek, Tracy Owens, Dexter K. Tennie\u003cbr\u003e1996 \/ 86 min \/ 1.37:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003ePreserved from the original 1” tape master\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eVideo introduction by director S. Torriano Berry\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eQ\u0026amp;A with Berry\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eArchival behind the scenes featurette\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eOriginal trailers\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEMBALMER: EARLY CUT, a previously unreleased version\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eShort films from Berry:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eIN THE HOLE (1984)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eDAY OF THE CROW'S CALL (1986)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEUPHRATES AWAKENING (1992)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eBonus movie: THE BLACK BEYOND (1985-92), Berry's previously unreleased shot-on-video sci-fi\/horror anthology\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eTHE BLACK BEYOND news segment\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51917096026434,"sku":null,"price":20.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/Embalmer_LTD_Front_2500x_4dee7e9d-1e19-4ee3-8fc0-b00c5af7afd7.webp?v=1769986749"},{"product_id":"pre-order-eraser-limited-collectors-edition-4k-ultra-hd-blu-ray","title":"Eraser Limited Collectors Edition 4K Ultra HD + Blu-Ray","description":"\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"2dbbf842-4aff-46be-8e9e-3ca7adb1f7e0\" data-testid=\"conversation-turn-2\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"7ac1579c-b8af-4bfd-9aba-4da88a5446f8\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"777\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"0\" data-end=\"41\" data-is-only-node=\"\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eEraser\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e is a 1996 action-thriller starring \u003cstrong data-start=\"77\" data-end=\"118\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eArnold Schwarzenegger\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e as U.S. Marshal John Kruger, a specialist in “erasing” witnesses by faking their deaths and relocating them to protect them from powerful enemies. When he’s assigned to safeguard a corporate whistleblower who has uncovered a high-tech weapons conspiracy involving her own company and corrupt government agents, Kruger finds himself betrayed from within his agency. Forced to go off-grid, he uses his skills, heavy firepower, and relentless tactics to keep her alive while exposing the conspiracy. The film mixes large-scale action set pieces—train fights, shootouts, and sci-fi railguns—with a classic cat-and-mouse plot about trust, deception, and survival.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"777\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"777\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eBonus features and artwork coming soon!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"z-0 flex min-h-[46px] justify-start\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden\"\u003e\n\u003cdiv class=\"text-center\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51946535485762,"sku":null,"price":49.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/Eraser_30A_CE_packshot.webp?v=1776968868"},{"product_id":"two-evil-eyes-4k-uhd-blu-ray","title":"Two Evil Eyes (4K UHD Blu-ray)","description":"\u003ch3 itemprop=\"description\"\u003eA Double Dose of Terror from the Directors of DAWN OF THE DEAD and SUSPIRIA\u003c\/h3\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"item-maindata\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Masters of Modern Horror -\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eGeorge Romero\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDario Argento\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e- bring you an unprecedented pair of shockers inspired by the tales of Edgar Allan Poe. In Romero's\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Facts In The Case Of Mr. Valdemar\u003c\/i\u003e, a conniving wife (\u003cb\u003eAdrienne Barbeau\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eof THE FOG) and her lover use a hypnotic trance to embezzle a fortune from her dying husband, only to receive some chilling surprises from beyond the grave. Then in Argento's\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Black Cat\u003c\/i\u003e, a deranged crime scene photographer (\u003cb\u003eHarvey Keitel\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eof FROM DUSK TILL DAWN) is driven to brutal acts of madness and murder by his girlfriend's new pet. But will this cunning feline deliver a final sickening twist of its own?\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMartin Balsam\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(PSYCHO),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eE.G. Marshall\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(CREEPSHOW),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJohn Amos\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(THE BEASTMASTER) and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTom Atkins\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(NIGHT OF THE CREEPS) co-star in this wild horror hit that also features grisly makeup effects by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTom Savini\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(MANIAC). Blue Underground's acclaimed restoration of TWO EVIL EYES, scanned in\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e4K 16-bit from the original camera negative\u003c\/b\u003e, is now presented with\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDolby Vision HDR\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand a new\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDolby Atmos\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eaudio mix, packed with hours of Extras!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eUltra HD Blu-ray (2160p) Widescreen 1.85:1 feature presentation and Bonus Extras Blu-ray\u003c\/li\u003e\n\u003cli\u003eAudio: Dolby Atmos (English); 2.0 DTS-HD (English); 1.0 DTS-HD (French)\u003c\/li\u003e\n\u003cli\u003eSubtitles: English SDH, Francais, Espanol\u003c\/li\u003e\n\u003cli\u003eAudio Commentary with Troy Howarth, Author of 'Murder By Design: The Unsane Cinema of Dario Argento'\u003c\/li\u003e\n\u003cli\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli\u003ePoster \u0026amp; Still Gallery\u003c\/li\u003e\n\u003cli\u003eTwo Masters' Eyes - Interviews with Directors Dario Argento \u0026amp; George Romero, Special Make-Up Effects Supervisor Tom Savini, Executive Producer Claudio Argento, and Asia Argento\u003c\/li\u003e\n\u003cli\u003eSavini's EFX - A Behind-the-Scenes look at the film's Special Make-Up Effects\u003c\/li\u003e\n\u003cli\u003eAt Home With Tom Savini - A personal tour of Tom Savini's home\u003c\/li\u003e\n\u003cli\u003eAdrienne Barbeau on George Romero\u003c\/li\u003e\n\u003cli\u003eBefore I Wake - Interview with Star Ramy Zada\u003c\/li\u003e\n\u003cli\u003eBehind The Wall - Interview with Star Madeleine Potter\u003c\/li\u003e\n\u003cli\u003eOne Maestro And Two Masters - Interview with Composer Pino Donaggio\u003c\/li\u003e\n\u003cli\u003eRewriting Poe - Interview with Co-Writer Franco Ferrini\u003c\/li\u003e\n\u003cli\u003eThe Cat Who Wouldn't Die - Interview with Assistant Director Luigi Cozzi\u003c\/li\u003e\n\u003cli\u003eTwo Evil Brothers - Interview with Special Make-Up Assistant Everett Burrell\u003c\/li\u003e\n\u003cli\u003eWorking With George - Interview with Costume Designer Barbara Anderson\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51966311596354,"sku":null,"price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/BLU-BD-7511.jpg?v=1770928710"},{"product_id":"the-killing-hour-dvd","title":"The Killing Hour [DVD]","description":"\u003ch3 itemprop=\"description\"\u003eBeyond The Five Senses Lies A Sixth. To Possess It Is To See The Unseen. It Can Be A Blessing - Or A Curse.\u003c\/h3\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"item-maindata\"\u003e\n\u003cp\u003eThe body of an anonymous woman is discovered floating in the Hudson River, and as the grisly news spreads through New York City, three more macabre murders occur all linked by the use of handcuffs. A beautiful, young art student with a special gift draws the murders before they are committed. Intrigued by her insight, an impetuous TV reporter and a police detective both become obsessed with the woman and her amazing talent. One wants to save her. The other must kill her. Can she survive THE KILLING HOUR? Directed by Armand Mastroianni (HE KNOWS YOU'RE ALONE) on location in New York, this stylish suspense thriller stars an impressive cast, including Perry King (CLASS OF 1984), Kenneth McMillan (STEPHEN KING'S CAT'S EYE), Jon Polito (BARTON FINK), Joe Morton (TERMINATOR 2: JUDGMENT DAY), and Elizabeth Kemp (HE KNOWS YOU'RE ALONE). Also known as THE CLAIRVOYANT, THE KILLING HOUR has now been fully restored and is presented here in its uncensored Director's Cut.\u003c\/p\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary with Director Armand Mastroianni\u003c\/li\u003e\n\u003cli\u003eDeleted Scenes\u003c\/li\u003e\n\u003cli\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli\u003eArmand Mastroianni Bio\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51968086999362,"sku":null,"price":12.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/BLU-DV-1123.jpg?v=1771004318"},{"product_id":"venom-4k-uhd-blu-ray","title":"Venom [4K UHD + Blu-ray]","description":"\u003ch3 itemprop=\"description\"\u003eA kidnapping goes awry when a furious Black Mamba snake is let loose in the house.\u003c\/h3\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"item-maindata\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBehind the drapes... Between the walls... In your bed... A thriller to make your skin crawl!\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIt was supposed to be the perfect crime: the sexy maid (\u003cb\u003eSusan George\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eof STRAW DOGS), a psychotic chauffeur (\u003cb\u003eOliver Reed\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eof THE BROOD) and an international terrorist (\u003cb\u003eKlaus Kinski\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eof NOSFERATU THE VAMPYRE) kidnap a wealthy ten-year-old boy from his elegant London townhouse. But they didn't count on a murdered cop, a desperate hostage siege, and one very unexpected houseguest: a furious Black Mamba, the most lethal and aggressive snake known to nature. It can attack from ten feet away. Its bite brings excruciating death. And it is on the loose. Now, terror knows no antidote... and the ultimate in slithering mayhem is VENOM.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSterling Hayden\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(THE KILLING),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eNicol Williamson\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(EXCALIBUR) and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSarah Miles\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(BLOW-UP) co-star in this gripping suspense thriller based on the novel by best-selling author\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAlan Scholefield\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand directed by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePiers Haggard\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(THE BLOOD ON SATAN'S CLAW). 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Collectible Booklet with essay by Michael Gingold\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":51968175997250,"sku":null,"price":33.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/BLU-BD-7525.jpg?v=1771006519"},{"product_id":"pre-order-the-housemaid-2025-limited-edition-steelbook-4k-ultra-hd-blu-ray-region-b","title":"The Housemaid (2025) Limited Edition Steelbook 4K Ultra HD + Blu-Ray (Region B)","description":"\u003cp\u003e\u003cstrong\u003eTHE HOUSEMAID \u003c\/strong\u003eis a wildly entertaining thriller \u003cstrong\u003estarring Sydney Sweeney and Amanda Seyfried\u003c\/strong\u003e, based on the best-selling book. 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But what begins as a dream job quickly unravels into something far more dangerous - a sexy, seductive game of secrets, scandal, and power.\u003c\/p\u003e\n\u003cp\u003eBehind the Winchesters' closed doors lies a world of shocking twists that will leave you guessing until the very end.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eADDITIONAL INFO\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"Product-content-accordion_features_YVBAAJ\"\u003e\n\u003cdiv class=\"collapsible-content__inner rte tw-pb-4\"\u003e\n\u003cdiv class=\"metafield-rich_text_field\"\u003e\n\u003cdiv id=\"Product-content-accordion_features_YVBAAJ\"\u003e\n\u003cdiv class=\"collapsible-content__inner rte tw-pb-4\"\u003e\n\u003cdiv class=\"metafield-rich_text_field\"\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary with Director Paul Feig    \u003c\/li\u003e\n\u003cli\u003eAudio Commentary with Director Paul Feig and Creative Team    \u003c\/li\u003e\n\u003cli\u003eFrom Page to Panic: Making the Housemaid     \u003c\/li\u003e\n\u003cli\u003eSecrets of The Winchester House: A Housemaid Tour    \u003c\/li\u003e\n\u003cli\u003eA Peak Inside Featurette     \u003c\/li\u003e\n\u003cli\u003eDeleted Scenes     \u003c\/li\u003e\n\u003cli\u003eOuttakes     \u003c\/li\u003e\n\u003cli\u003eTheatrical Trailers  \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eArtwork TBC\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":52086715547970,"sku":null,"price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/45cc9c9c-6081-4988-939b-62a96c099895.webp?v=1775957319"},{"product_id":"pre-order-the-nightcomers-4k-ultra-hd","title":"The Nightcomers 4K Ultra HD","description":"\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:82c506a6-657b-4950-b357-79031cb384f1-3\" data-testid=\"conversation-turn-8\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"56271a61-e57e-4d0e-8b88-7227b403df29\" dir=\"auto\" data-message-model-slug=\"gpt-5-2\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cp data-start=\"138\" data-end=\"464\"\u003eMarlon Brando delivers a commanding and deeply unsettling performance in this haunting entry from the golden era of British horror. Directed by Michael Winner, \u003cem data-start=\"298\" data-end=\"315\"\u003eThe Nightcomers\u003c\/em\u003e serves as a provocative prelude to Henry James’ Gothic classic \u003cem data-start=\"379\" data-end=\"402\"\u003eThe Turn of the Screw\u003c\/em\u003e, exploring the shadowy events that precede the famed novella.\u003c\/p\u003e\n\u003cp data-start=\"466\" data-end=\"1140\"\u003eBrando stars as Peter Quint, the brooding and manipulative servant whose magnetic presence casts a dark influence over a secluded country estate. After the tragic death of their parents, young Flora and Miles are placed under the guardianship of the reserved governess Miss Jessel and the steadfast housekeeper Mrs. Grose. Yet it is Quint who truly dominates the household, exerting a disturbing psychological hold over both the children and Miss Jessel. Drawn into a secret and destructive liaison with Quint, Miss Jessel becomes entangled in a relationship that accelerates the estate’s descent into moral decay—while Flora and Miles increasingly fall under Quint’s spell.\u003c\/p\u003e\n\u003cp data-start=\"1142\" data-end=\"1321\"\u003eMoody, provocative, and visually striking, \u003cem data-start=\"1185\" data-end=\"1202\"\u003eThe Nightcomers\u003c\/em\u003e offers a bold reimagining of James’ haunting world, anchored by one of Brando’s most intense late-career performances.\u003c\/p\u003e\n\u003chr data-start=\"1323\" data-end=\"1326\"\u003e\n\u003ch3 data-start=\"1328\" data-end=\"1348\"\u003eSpecial Features\u003c\/h3\u003e\n\u003cul data-start=\"1350\" data-end=\"1778\"\u003e\n\u003cli data-start=\"1350\" data-end=\"1394\"\u003e\n\u003cp data-start=\"1352\" data-end=\"1394\"\u003e\u003cstrong data-start=\"1352\" data-end=\"1359\"\u003eNEW\u003c\/strong\u003e: Kim Newman on \u003cem data-start=\"1375\" data-end=\"1392\"\u003eThe Nightcomers\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1395\" data-end=\"1446\"\u003e\n\u003cp data-start=\"1397\" data-end=\"1446\"\u003eAudio Commentary by film historian Kat Ellinger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1447\" data-end=\"1512\"\u003e\n\u003cp data-start=\"1449\" data-end=\"1512\"\u003eAudio Commentary by film historians Alain Silver \u0026amp; Jim Ursini\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1513\" data-end=\"1575\"\u003e\n\u003cp data-start=\"1515\" data-end=\"1575\"\u003e\u003cem data-start=\"1515\" data-end=\"1535\"\u003eTurn of the Camera\u003c\/em\u003e – Interviews with the production crew\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1576\" data-end=\"1693\"\u003e\n\u003cp data-start=\"1578\" data-end=\"1693\"\u003e\u003cem data-start=\"1578\" data-end=\"1661\"\u003eDelicately Feminine: The Film Adaptations of Henry James’ “The Turn of the Screw”\u003c\/em\u003e – Video essay by Kat Ellinger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1694\" data-end=\"1716\"\u003e\n\u003cp data-start=\"1696\" data-end=\"1716\"\u003eTheatrical Trailer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1717\" data-end=\"1735\"\u003e\n\u003cp data-start=\"1719\" data-end=\"1735\"\u003eTeaser Trailer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1736\" data-end=\"1753\"\u003e\n\u003cp data-start=\"1738\" data-end=\"1753\"\u003eImage Gallery\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1754\" data-end=\"1778\"\u003e\n\u003cp data-start=\"1756\" data-end=\"1778\"\u003eIncludes 4 Art Cards\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-start=\"1780\" data-end=\"1783\"\u003e\n\u003ch3 data-start=\"1785\" data-end=\"1813\"\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul data-start=\"1815\" data-end=\"1997\"\u003e\n\u003cli data-start=\"1815\" data-end=\"1843\"\u003e\n\u003cp data-start=\"1817\" data-end=\"1843\"\u003e\u003cstrong data-start=\"1817\" data-end=\"1833\"\u003eRegion Code:\u003c\/strong\u003e A, B, C\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1844\" data-end=\"1871\"\u003e\n\u003cp data-start=\"1846\" data-end=\"1871\"\u003e\u003cstrong data-start=\"1846\" data-end=\"1858\"\u003eRuntime:\u003c\/strong\u003e 97 minutes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1872\" data-end=\"1897\"\u003e\n\u003cp data-start=\"1874\" data-end=\"1897\"\u003e\u003cstrong data-start=\"1874\" data-end=\"1887\"\u003eLanguage:\u003c\/strong\u003e English\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1898\" data-end=\"1942\"\u003e\n\u003cp data-start=\"1900\" data-end=\"1942\"\u003e\u003cstrong data-start=\"1900\" data-end=\"1914\"\u003eSubtitles:\u003c\/strong\u003e English (Hard of Hearing)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1943\" data-end=\"1963\"\u003e\n\u003cp data-start=\"1945\" data-end=\"1963\"\u003eInteractive Menu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1964\" data-end=\"1997\"\u003e\n\u003cp data-start=\"1966\" data-end=\"1997\"\u003eBonus Features \u0026amp; 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The most notorious of these was \u003cem data-start=\"522\" data-end=\"539\"\u003eTrace of Stones\u003c\/em\u003e, a powerful and controversial political drama directed by acclaimed East German filmmaker \u003cstrong data-start=\"630\" data-end=\"645\"\u003eFrank Beyer\u003c\/strong\u003e (\u003cem data-start=\"647\" data-end=\"663\"\u003eJakob the Liar\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp data-start=\"667\" data-end=\"959\"\u003eThe story follows \u003cstrong data-start=\"685\" data-end=\"701\"\u003eHannes Balla\u003c\/strong\u003e (Manfred Krug), the outspoken and charismatic leader of a construction crew at a major East German worksite. Determined to keep his projects moving forward, Balla is willing to bend the rules—including stealing scarce building materials—to get the job done.\u003c\/p\u003e\n\u003cp data-start=\"961\" data-end=\"1292\"\u003eConcerned about his rebellious behavior, the ruling \u003cstrong data-start=\"1013\" data-end=\"1038\"\u003eSocialist Unity Party\u003c\/strong\u003e assigns \u003cstrong data-start=\"1047\" data-end=\"1075\"\u003eSecretary Werner Horrath\u003c\/strong\u003e (Eberhard Esche) to supervise the site and bring order to Balla’s operations. At the same time, a new engineer arrives: \u003cstrong data-start=\"1196\" data-end=\"1209\"\u003eKati Klee\u003c\/strong\u003e (Krystyna Stypułkowska), the only woman working in the male-dominated environment.\u003c\/p\u003e\n\u003cp data-start=\"1294\" data-end=\"1494\"\u003eAs tensions rise, a complex love triangle develops between Klee, Balla, and Horrath. Personal conflicts soon intertwine with political pressures, creating a volatile situation that threatens to erupt.\u003c\/p\u003e\n\u003cp data-start=\"1496\" data-end=\"1873\"\u003eOffering a sharp and nuanced look at everyday socialism in practice, \u003cem data-start=\"1565\" data-end=\"1582\"\u003eTrace of Stones\u003c\/em\u003e was widely interpreted as a critique of East Germany’s political system. The film was quickly withdrawn from theaters in 1966, and director Frank Beyer was prevented from directing another feature film until 1975. The film itself remained suppressed until after the fall of the Berlin Wall.\u003c\/p\u003e\n\u003cp data-start=\"1875\" data-end=\"2023\"\u003eThe \u003cstrong data-start=\"1879\" data-end=\"1907\"\u003eMasters of Cinema Series\u003c\/strong\u003e proudly presents this historically significant and extraordinary film, available on \u003cstrong data-start=\"1992\" data-end=\"2022\"\u003eBlu-ray for the first time\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr data-start=\"2025\" data-end=\"2028\"\u003e\n\u003ch3 data-start=\"2030\" data-end=\"2050\"\u003eSpecial Features\u003c\/h3\u003e\n\u003cul data-start=\"2051\" data-end=\"2289\"\u003e\n\u003cli data-start=\"2051\" data-end=\"2120\"\u003e\n\u003cp data-start=\"2053\" data-end=\"2120\"\u003eLimited edition \u003cstrong data-start=\"2069\" data-end=\"2088\"\u003eO-card slipcase\u003c\/strong\u003e with new artwork by Carly A-F\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2121\" data-end=\"2148\"\u003e\n\u003cp data-start=\"2123\" data-end=\"2148\"\u003e\u003cstrong data-start=\"2123\" data-end=\"2146\"\u003eCollector’s booklet\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2149\" data-end=\"2207\"\u003e\n\u003cp data-start=\"2151\" data-end=\"2207\"\u003eDocumentary: \u003cem data-start=\"2164\" data-end=\"2205\"\u003eThe 11th Plenum: A Cultural Devastation\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2208\" data-end=\"2262\"\u003e\n\u003cp data-start=\"2210\" data-end=\"2262\"\u003eDocumentary: \u003cem data-start=\"2223\" data-end=\"2260\"\u003eTrace of Time: Director Frank Beyer\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2263\" data-end=\"2289\"\u003e\n\u003cp data-start=\"2265\" data-end=\"2289\"\u003e\u003cem data-start=\"2265\" data-end=\"2282\"\u003eChildren’s Home\u003c\/em\u003e (1978)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":52115763495234,"sku":null,"price":10.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/9a579637-0cba-4559-b0d8-cc929c100352.webp?v=1772476452"},{"product_id":"pre-order-suzzanna-empress-of-darkness","title":"Suzzanna: Empress Of Darkness","description":"\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-8\" data-turn-id=\"request-WEB:82c506a6-657b-4950-b357-79031cb384f1-3\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\" dir=\"auto\" data-message-id=\"56271a61-e57e-4d0e-8b88-7227b403df29\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003ch3 itemprop=\"description\"\u003e6 films on 3 discs featuring the North American disc premieres of 4 Suzzanna horror classics plus her final film and an award-winning documentary.\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6 FILMS ON 3 DISCS FEATURING THE NORTH AMERICAN DISC PREMIERES OF 4 SUZZANNA HORROR CLASSICS PLUS HER FINAL FEATURE FILM AND THE AWARD-WINNING DOCUMENTARY SUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShe's known as \"an icon\" (Hi-Def Digest), \"a cult legend\" (Gizmodo) and \"an inspiration for modern scream queens\" (The Final Girls). Nearly two decades after her passing, she remains \"Indonesia's Ultimate Queen of Horror\" (Screen Anarchy). In this 3 disc\/6 film collection, discover Suzzanna for the very first time...or as you've never experienced her before: In PACT WITH THE FORCES OF DARKNESS, Suzzanna stars as a woman who returns from the dead for violent revenge, complete with knockoff Freddy Krueger glove. Suzzanna portrays a regal reptile empress and her mortal twin sister in the wild WHITE CROCODILE QUEEN. MALAM SATU SURO and KLIWON FRIDAY NIGHT both star Suzzanna in her most famous role as the grisly ghost of feminist vengeance, Sundelbolong. And in the \"fascinating\" (Cinapse) Severin Films documentary SUZZANNA: THE QUEEN OF BLACK MAGIC, director David Gregory peels back every startling layer of her controversial life, death and legacy. The 4 Soraya Productions have been scanned in 2K from their original camera negatives in English-friendly versions for the first time ever in America, with over 3 hours of Special Features that include revealing interviews, expert analysis and Suzzanna's final film, GHOST AMBULANCE.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInterview With Filmmaker Katrina Irawati Graham And Dr. Rosalind Galt, Author Of Alluring Monsters: The Pontianak And Cinemas Of Decolonization\u003c\/li\u003e\n\u003cli\u003eA Conversation With SUZZANNA: THE QUEEN OF BLACK MAGIC Director\/Co-Producer David Gregory And Co-Producer Ekky Imanjaya\u003c\/li\u003e\n\u003cli\u003eDavid Gregory Introduction At Jakarta Film Week Screening\u003c\/li\u003e\n\u003cli\u003eThe Making Of GHOST AMBULANCE\u003c\/li\u003e\n\u003cli\u003eGHOST AMBULANCE Interview With Actors Suzzanna And Clift Sangra\u003c\/li\u003e\n\u003cli\u003eAnd More!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eHantu Retribution: Female Ghosts Of The Malay Archipelago – Interview With Filmmaker Katrina Irawati Graham And Dr. Rosalind Galt, Author Of Alluring Monsters: The Pontianak And Cinemas Of Decolonization\u003c\/li\u003e\n\u003cli\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC Conversation With Director\/Co-Producer David Gregory And Co-Producer Ekky Imanjaya\u003c\/li\u003e\n\u003cli\u003eDavid Gregory Introduction To SUZZANNA: THE QUEEN OF BLACK MAGIC At Jakarta Film Week Screening, October 2024\u003c\/li\u003e\n\u003cli\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC Trailer\u003c\/li\u003e\n\u003cli\u003eThe Making Of GHOST AMBULANCE\u003c\/li\u003e\n\u003cli\u003eShowBiz On Location Interviews With Cast And Crew Of GHOST AMBULANCE\u003c\/li\u003e\n\u003cli\u003eGHOST AMBULANCE Silet Interview With Actors Suzzanna And Clift Sangra\u003c\/li\u003e\n\u003cli\u003eGHOST AMBULANCE Promo Clips\u003c\/li\u003e\n\u003cli\u003eGHOST AMBULANCE Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"item-imagecol\"\u003e\u003c\/div\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":52275890225474,"sku":null,"price":39.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/SEV20737BR_3D.jpg?v=1773348174"},{"product_id":"pre-order-humane-with-limited-edition-slipcover","title":"Humane with Limited Edition Slipcover","description":"\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:82c506a6-657b-4950-b357-79031cb384f1-3\" data-testid=\"conversation-turn-8\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"56271a61-e57e-4d0e-8b88-7227b403df29\" dir=\"auto\" data-message-model-slug=\"gpt-5-2\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cp\u003eA global environmental collapse forces world leaders to take extreme measures to reduce earth's population.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Meredith Tanning, a local museum curator, is dipping her toe back into the dating pool, only to be targeted by a charming serial killer. When a fateful romantic getaway between the two becomes a tense game of cat and mouse, both must confront the madness within him.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Caitlin Cronenberg\u003cbr\u003estarring: Jay Baruchel, Emily Hampshire, Peter Gallagher\u003cbr\u003e2023 \/ 90 min \/ 1.78:1 \/ English DTS-HD MA 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Meredith Tanning, a local museum curator, is dipping her toe back into the dating pool, only to be targeted by a charming serial killer. When a fateful romantic getaway between the two becomes a tense game of cat and mouse, both must confront the madness within him.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Meredith Tanning, a local museum curator, is dipping her toe back into the dating pool, only to be targeted by a charming serial killer. When a fateful romantic getaway between the two becomes a tense game of cat and mouse, both must confront the madness within him.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Conversations\\\" - Interviews with sculptor Charlie Becker, Composer Vaaal, Makeup Artist Ashely Thomas, and Makeup Effects Designer Dan Martin\\n\\n\\\"On Set\\\" - Actors \u0026amp; Costumer interviews\\n\\nCOAXIAL short film by Travis Stevens\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Meredith Tanning, a local museum curator, is dipping her toe back into the dating pool, only to be targeted by a charming serial killer. When a fateful romantic getaway between the two becomes a tense game of cat and mouse, both must confront the madness within him.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Conversations\\\" - Interviews with sculptor Charlie Becker, Composer Vaaal, Makeup Artist Ashely Thomas, and Makeup Effects Designer Dan Martin\\n\\n\\\"On Set\\\" - Actors \u0026amp; Costumer interviews\\n\\nCOAXIAL short film by Travis Stevens\"}' data-sheets-root=\"1\"\u003eCommentary Track with Director Caitlin Cronenberg and Writer\/Producer Michael Sparaga\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Meredith Tanning, a local museum curator, is dipping her toe back into the dating pool, only to be targeted by a charming serial killer. When a fateful romantic getaway between the two becomes a tense game of cat and mouse, both must confront the madness within him.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Conversations\\\" - Interviews with sculptor Charlie Becker, Composer Vaaal, Makeup Artist Ashely Thomas, and Makeup Effects Designer Dan Martin\\n\\n\\\"On Set\\\" - Actors \u0026amp; Costumer interviews\\n\\nCOAXIAL short film by Travis Stevens\"}' data-sheets-root=\"1\"\u003eThree Deleted Scenes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Meredith Tanning, a local museum curator, is dipping her toe back into the dating pool, only to be targeted by a charming serial killer. 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When a fateful romantic getaway between the two becomes a tense game of cat and mouse, both must confront the madness within him.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Conversations\\\" - Interviews with sculptor Charlie Becker, Composer Vaaal, Makeup Artist Ashely Thomas, and Makeup Effects Designer Dan Martin\\n\\n\\\"On Set\\\" - Actors \u0026amp; Costumer interviews\\n\\nCOAXIAL short film by Travis Stevens\"}' data-sheets-root=\"1\"\u003e\"The Endings\" short film\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Meredith Tanning, a local museum curator, is dipping her toe back into the dating pool, only to be targeted by a charming serial killer. When a fateful romantic getaway between the two becomes a tense game of cat and mouse, both must confront the madness within him.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Conversations\\\" - Interviews with sculptor Charlie Becker, Composer Vaaal, Makeup Artist Ashely Thomas, and Makeup Effects Designer Dan Martin\\n\\n\\\"On Set\\\" - Actors \u0026amp; Costumer interviews\\n\\nCOAXIAL short film by Travis Stevens\"}' data-sheets-root=\"1\"\u003eBooklet with new writing by Nadine Whitney\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Meredith Tanning, a local museum curator, is dipping her toe back into the dating pool, only to be targeted by a charming serial killer. When a fateful romantic getaway between the two becomes a tense game of cat and mouse, both must confront the madness within him.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Conversations\\\" - Interviews with sculptor Charlie Becker, Composer Vaaal, Makeup Artist Ashely Thomas, and Makeup Effects Designer Dan Martin\\n\\n\\\"On Set\\\" - Actors \u0026amp; Costumer interviews\\n\\nCOAXIAL short film by Travis Stevens\"}' data-sheets-root=\"1\"\u003eEnglish SDH, French subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":52278682648898,"sku":null,"price":22.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/Humane_LTD_Front_0oikmnhgtf_2500x_2a74169f-a28a-4b48-b7eb-b4b1fece24a7.webp?v=1773421859"},{"product_id":"requiem-for-a-dream-2000-mediabook-cover-a-le-999-4k-ultra-hd-blu-ray-region-b-import-birnenblatt-copy","title":"Requiem For a Dream (2000) – Mediabook Cover B LE 999 (4K Ultra HD + Blu-ray Region B) (Import\/Birnenblatt)","description":"\u003cp data-start=\"38\" data-end=\"95\"\u003e\u003cstrong data-start=\"42\" data-end=\"72\"\u003eRequiem for a Dream (2000)\u003c\/strong\u003e, directed by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eDarren Aronofsky\u003c\/span\u003e\u003c\/span\u003e, is a psychological drama that follows four characters whose lives slowly unravel as they chase personal dreams that become consumed by addiction. Harry Goldfarb (\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJared Leto\u003c\/span\u003e\u003c\/span\u003e) and his friend Tyrone (\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMarlon Wayans\u003c\/span\u003e\u003c\/span\u003e) hope to build a better future through a risky drug operation, while Harry’s girlfriend Marion (\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJennifer Connelly\u003c\/span\u003e\u003c\/span\u003e) dreams of opening a fashion boutique. Meanwhile, Harry’s mother Sara (\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eEllen Burstyn\u003c\/span\u003e\u003c\/span\u003e), desperate to appear on television, becomes dependent on diet pills prescribed by her doctor. As their ambitions spiral into obsession, the film presents a stark and emotionally intense portrait of addiction, illustrating how hope, desire, and escapism can transform into destructive forces that consume every aspect of their lives.\u003c\/p\u003e\n\u003cp data-start=\"38\" data-end=\"95\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"38\" data-end=\"95\"\u003eEdition: Cover B (4K Ultra HD\/UHD)\u003cbr data-start=\"72\" data-end=\"75\"\u003eLabel: Birnenblatt\u003c\/p\u003e\n\u003cp data-start=\"97\" data-end=\"127\"\u003eFormat:\u003cbr data-start=\"104\" data-end=\"107\"\u003eRegion Code: B \/ 2\u003c\/p\u003e\n\u003cp data-start=\"129\" data-end=\"199\"\u003eCountry of Release: Germany (2024)\u003cbr data-start=\"163\" data-end=\"166\"\u003eRelease Date: February 12, 2024\u003c\/p\u003e\n\u003cp data-start=\"201\" data-end=\"228\"\u003eRating: FSK 16 (ages 16+)\u003c\/p\u003e\n\u003cp data-start=\"230\" data-end=\"259\"\u003eLimited Edition: 999 copies\u003c\/p\u003e\n\u003cp data-start=\"261\" data-end=\"271\"\u003eVersion:\u003c\/p\u003e\n\u003cp data-start=\"273\" data-end=\"303\"\u003eBlu-ray Runtime: 101 minutes\u003c\/p\u003e\n\u003cp data-start=\"305\" data-end=\"460\"\u003eAudio Tracks:\u003cbr data-start=\"318\" data-end=\"321\"\u003e• German (DTS-HD Master Audio 5.1)\u003cbr data-start=\"355\" data-end=\"358\"\u003e• German (Dolby Digital 2.0 Stereo)\u003cbr data-start=\"393\" data-end=\"396\"\u003e• English (Dolby Atmos)\u003cbr data-start=\"419\" data-end=\"422\"\u003e• English (Dolby Digital 2.0 Stereo)\u003c\/p\u003e\n\u003cp data-start=\"462\" data-end=\"485\"\u003eSubtitles:\u003cbr data-start=\"472\" data-end=\"475\"\u003e• German\u003c\/p\u003e\n\u003cp data-start=\"487\" data-end=\"1063\"\u003eExtras:\u003cbr data-start=\"494\" data-end=\"497\"\u003e• Booklet\u003cbr data-start=\"506\" data-end=\"509\"\u003e• Audio commentary with director Darren Aronofsky\u003cbr data-start=\"558\" data-end=\"561\"\u003e• Audio commentary with cinematographer Matthew Libatique\u003cbr data-start=\"618\" data-end=\"621\"\u003e• Actress Ellen Burstyn on the film\u003cbr data-start=\"656\" data-end=\"659\"\u003e• Transcendent Moments — The Film Score\u003cbr data-start=\"698\" data-end=\"701\"\u003e• A look back at “Requiem for a Dream” with Dr. Bruce Isaacs\u003cbr data-start=\"761\" data-end=\"764\"\u003e• On set in 1999\u003cbr data-start=\"780\" data-end=\"783\" data-is-only-node=\"\"\u003e• Memories\u003cbr data-start=\"793\" data-end=\"796\"\u003e• Dreams \u0026amp; Addictions — Interview with author Hubert Selby Jr.\u003cbr data-start=\"858\" data-end=\"861\"\u003e• Making-of with commentary by Darren Aronofsky\u003cbr data-start=\"908\" data-end=\"911\"\u003e• Deleted scenes with commentary by Darren Aronofsky\u003cbr data-start=\"963\" data-end=\"966\"\u003e• The creation of the film score at Skywalker Ranch\u003cbr data-start=\"1017\" data-end=\"1020\"\u003e• “Anatomy of a Scene: Requiem for a Dream”\u003c\/p\u003e\n\u003cp data-start=\"487\" data-end=\"1063\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"487\" data-end=\"1063\"\u003ePLEASE NOTE, NOT ALL SPECIAL FEATURES MAY BE ENGLISH FRIENDLY\u003c\/p\u003e","brand":"Valoria Video","offers":[{"title":"Default Title","offer_id":52283119829314,"sku":null,"price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0938\/9427\/9490\/files\/Screen-Shot-2024-03-02-at-2.11.54-PM_0124c243-6949-47de-8629-0a86499ab2a6.jpg?v=1773621876"}],"url":"https:\/\/valoriavideo.com\/collections\/4th-of-july-sale.oembed?page=4","provider":"Valoria Video","version":"1.0","type":"link"}